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#TeechallaclothingLLC The great Mary Quant, who died yesterday at the age of 93, wrote these inspirational words in her autobiography Quant by Quant “The Look isn’t just the garments you wear. It’s the way you put your makeup on, the way you do your hair, the sort of stockings you choose, the way you walk and stand. I wanted girls to move, jump, be alive! There’s still no better way to capture the phenomenal energy of the teenage fashion rebellion she led in the 1960s. Writing in 1966, Quant was already world wide famous as the leader of the revolution that had ushered in mini skirts and hot pants—the surge of British Mod pop culture Diana Vreeland hailed as the “Youthquake. In the same year, the Daily Mirror’s fashion journalist Felicity Green was reporting that “secretaries, students, and shop assistants were wearing skirts with hems only just below the bottom. But Quant never took credit for inventing the mini. For that, she pointed to the girls around her, the teen customers who’d begun mobbing her boutique Bazaar on a corner of King’s Road. “The Chelsea girl, the original leather booted, black stockinged girl who came out of the King’s Road to be copied by the rest of London, all over the country, and then internationally. This girl’s clothes were accepted as a challenge. No designer is ever responsible for such a revolution. All a designer can do is anticipate a mood, she wrote. Quant ran with her customers’ demands for “shorter, shorter!
#TeechallaclothingLLC In 1964, André Courrèges showed short skirts in his famous Space Age collection in Paris. The difference was it was haute couture, still slowly ordered fashion for the elite. In London, Quant’s creativity ran spontaneously hand in hand with the new socially democratic ready to wear, desires whipped up by the pop music of the Beatles and Rolling Stones, the weekly TV show Ready Steady Go! hosted by Cathy McGowan, and dancing at clubs like the Ad Lib in Soho. It was fashion that changed week by week for skinny teenage baby boomers—a generation of girls earning their own money for the first time, kicking against the drab austerity of post war Britain. Quant by Quant reads like live reporting on their conversations. “Sex is taken for granted. They talk candidly about everything from puberty to homosexuality… they think for themselves. They are committed and involved. Prejudices no longer exist. We had to keep up with them.As in so many of the origin stories of great women designers, Quant had resorted to sewing up the sort of clothes she wanted to wear when she couldn’t find anything she liked herself. Bazaar was set up with her husband Alexander Plunkett Greene and an espresso bar entrepreneur Archie McNair, and at first, she was so scared of customers that she kept a bottle of Scotch under the counter.
#TeechallaclothingLLC She made A line pinafores and popped turtlenecks under them, and came up with jazzy jersey colors in minimal shapes that jived with pop art. “The shop was constantly stripped bare, she wrote. “You will find duchesses jostling with typists for the same dress. They were clothes made for the flat chested, narrow body types of young people—a total revolt against the hourglass femininity that had dominated popular fashion since Dior’s New Look of 1947. When that kind of change occurs, it’s irresistible. But the true genius of Mary Quant was that she was always far more than a fashion designer. Born in Blackheath, London in 1930, she was a war time child whose Welsh parents valued education. Nevertheless, she had to fight them to study illustration and design at Goldsmiths college. There, at 16, she met Plunkett Green, an older bohemian upper class eccentric running around the jazz clubs of London. While he handled the business, her pioneering genius was for what we now call merchandising, brand extension, and fashion communication. Eventually she designed an entire lifestyle universe, stamped with her brilliantly simple daisy logo graphic.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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