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And besides that, the Garrett Wilson Sugar Skull Shirt and I will buy this point of a live concert is to see the performer sing. If there’s no mic visible it looks like lip syncing. Granted, many of them may be lip syncing, but the point in that case to to reinforce the illusion. The problem with putting a mic on your collar or otherwise as close as you can get it is chin shadow. The combination of filtering and the combination of out-of-phase reflections makes for an unpleasant quality. Also, most people have very poor position control. They will move their heads while speaking, and the closer the mic is to their mouth, the larger the volume changes with these moves. That is why my lapel mic position of choice was second or third button. If you absolutely have to have more signal (and you shouldn’t — for anything but a crowded stage with a full pit orchestra, you should be readily able to speak loudly and clearly enough, and have a low enough background noise, for a high-chest position to work) then you need to move to a head-fixed-mic.

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Everyone from Broadway singers to fitness instructors use an ear boom. You can also fasten the Garrett Wilson Sugar Skull Shirt and I will buy this mic directly to your face; again my preferred position is forehead, at the hairline. Because of the contribution of the frontal sinuses this is actually a very natural sound and strong enough in most cases to be heard against background noise. The other theatrical stand-by is “ear.” By which we mean anywhere from right above the ear to the other side of the sideburns to almost at the corner of the mouth. I try to avoid the cheek; you get movement as well as discomfort there, and it has a hollow, boomy sound I find unpleasant as well. Along the cheekbone is a safer bet.